In 2016, CMAF standardization was just beginning, carrying the promise of simplified workflows and improved CDN caching efficiency. Where are we now with this industry change? Which other major streaming technologies emerged at the same time? Which ones will be crucial for the next five years to come? Let’s take a look at it…
At EBU BroadThinking 2016, we conscientized that producing a modern multiscreen video experience isn’t just about embracing the most mature emerging technologies, year after year, in a smooth granular evolution. Nowadays it actually requires mastering a lot of expertise that are less and less native to broadcasters, all kinds of high-end activities like big data analysis, complex IT/network deployments, fine-grain ABR heuristics mastering, panoramic video, user behavior analysis, security policies enforcement or cloud applications development [and a lot more].
For those who don’t know it, FOSDEM is one of the legendary European events of the open source community, where free beer meets lightning talks, tech lectures and hacking sessions. It’s a crowdy 2-days event in Bruxelles, with lots of open source developers having different focuses, from Linux to databases, virtualization, security or programming languages… and of course media!
Let’s take a look at some OTT & workflow oriented projects that were presented during the Open Media devroom program.
This year the EBU BroadThinking Conference was sounding like a holistic swirl, a milestone in the trend of technology to define sets that are greater than the sum of their parts, through creative evolution. « Where Broadcast Meets BroadBand », you get some interesting fusion effect occurring and diluting the traditional boundaries of the screens, with the handheld devices being part of the big screen experience or extending it rather than trying to scalp it, in an environment where all the devices converge towards a restricted set of standards rather than tracing their own line.
4K streaming, mobile broadcasting for the crowd, generalized delinearization, worldwide video events… #ott delivery is just multiplying the challenges, as customers’ expectations are raising each day in terms of video fast-start, instant channel switching, lack of buffer and high frame size/rate – on all devices in all network conditions. To answer those challenges, OTT delivery answer today is basically more unicast sessions, more servers, more peering – and less and less guarantee of satisfying end-user experience as long as there is no specific end-to-end paid agreement to guarantee that the path will be provisioned from the origin server up to the video device. Even in this ideal scheme, the device might still suffer from poor wireless conditions which jeopardize the experience. So, how do we deal with all this stack of potential problems: do we stick to the aging receipts, rely blindly on Moore’s law and perpetuate a hopeless #cdn weapons race? Or do we try to find smarter ways to make the OTT growth reach a sustainable delivery model ?
While most of IBC’s buzz was generated by the shiny #hevc + 4K couple, it was a good occasion to stand back from the hype and measure how one of the most important video standards (at least for the #ott world) had spread over the industry since last year. MPEG-DASH is not sexy (let’s remember that it’s basically a collection of XML schemes), it’s a bit boring (as it’s usually demonstrated with the Big Buck Bunny that you saw not less than 2.000 times) and it’s complex – but once you go past those defaults, you might find that its potential to simplify your workflows and boost the profitability of your video service is high…
And that’s precisely what the industry has finally understood: video distributors want to streamline their workflows and save their storage budgets by reducing the number of output formats, they search for ways to build long term strategies with evolutive solutions – and all of this implies rolling away from proprietary #abr solutions like Smooth Streaming, HLS, HDS and the now defunct Widevine WVM proprietary packaging format (rest in peace), DASH’s first victim.
[djReelup] Happy Friday with my latest mix "Original 94 Junglists" - a tribute to the artists who created Junglist music exactly 30 years ago in the UK!
#JunglistIsTheNewReggae #djReelup #TTNSdotUK
PDX Video Tech 2024 #3- REPLAY! Bulletproofing large live events with edge compute, Immersive Audio Production, An Inside Look at Media over QUIC
[djReelup] Happy Friday with my latest mix "Da Hora Brasil" - an experimental blend of Brazilian classics and their D&B remixes!
#BrazilianVibe #thethursdaynightshowDotcom
